Sunday, November 29, 2015
On the 31 of May this year, I made a stringholder and regretted I didn't show the process. And knowing you lot you've hardly slept since. But finally we'll get closure on that troublesome matter because here is a post thick with pics, tips and a glue never before seen on an Argapa.
First I made three wee blanks of two bits of wood. One is Ipe, one is Jatoba and both are samples that came to my office. The Jatoba is from the same piece as the fretboard of my old number one soprano.
I cut the rabbets on the table saw since it was up and running, usually I make cuts like this with a tiny plane.
And that tiny plane was still used to clean the rabbets up a bit. It's from Veritas' miniature series and it works great.
From the same series comes this spokeshave, here I use it to make the bottom of the stringholder concave to match the cover plate.
Like so. It fits but it slides around like crazy and I got a great idea for drilling the mounting holes from below.
Look! A glue gun with melt glue. Two dabs keeps it steady, if not rock solid.
Drilling with my Proxxon and a depth stop on the drill bit. Two holes as far apart as possible in the outer holes.
After removing the stringholder I drilled holes for the strings, stearing clear of the screw holes.
And this it what it looks like. Using counter sunk (and cut) screws against flat metal is of course unclean but in this case it helps to keep the stringholder in place when the screws go in.
And there you have it - three stringholders on the cover plates, which are loosely placed on the ukes.
Saturday, November 28, 2015
Back from 'Nam, fortunately not in a body bag, I am determined to finish these three resos and ship them in time for christmas. This morning, after catching up on the severly messed up sleep, I polished the shellac with Liberon burnishing cream, put side markers on two of the ukes, and laid out all the screw holes for the cover plates.
Here's me drilling holes.
And a close up to bring the number of pics up.
Sunday, November 15, 2015
Here they are, the three resos. And a mandobird on which is slapped a tenor guitar neck. That neck has cost me some time away from the resos, but this weekend I thought I could finish the French polishing process. The first layers were applied with a goat hair brush and levelled with scrapers and steel wool. So it was the glaze coats that remained, I thought.
Here's me doing magic circles with the magic pad. Do not try to understand the process.
It went quite well, but I have to do some wet sanding before the final final glaze coats are perfect. This puts the completion date a bit further into the future I'm afraid since I have to go to Vietnam the week after next. But I can't hide behind the bad boy image all the time, I want these three to look really good.
And there are a few other small things to do. Here I'm rounding the fret ends with a small file to make them smooth.
I'll try to do that wet sanding tomorrow, I promise.